ryan elliott has long been our not-so-secret weapon, lending his curatorial mastery to the massive spectral sound vol. 3 compilation, megamixingspectral 25, and of course by representing on turntables the world over. but after a mere handful of remix credits, he charges out of the gates with his first spectral production, kicking up. deep bass and snares hurtle ever forward, assisted by occasional, faint sonic flourishes and a bevy of throwback vocal loops, but is otherwise devoid of sustained melody. if nothing impedes the supercharged, supersexual, super-detroit momentum of kicking up, the stablo no. remix dials back the tech and pushes its house to the fore. shakers, claps, echo and a whole lot of lateral motion imbues elliott s take-no-prisoners original with a surprising conviviality.

continuing on his intergalactic journey traversable wormhole now enters into the portal entitled volume 9 >world line< is a hypnotic dark tonal 4/4 deep bass driven affair thatm intensifies in relative velocity as it travels through four dimenisional spacetime. switching back momentarily into the third dimension we enter into >present hypersurface< a punchy percussive broken beat affair layered spacial droning string tones & melodious thick analgous white noise. in question now is if the present is the past and or is the future the present and when if at all does it end?

whether on his own or with nick hoppner as my my lee jones has been djing and making music for more than a decade. in 2008 jones released his debut full-length lp “electronic frank” on aus music. his solo releases and remixes have appeared on labels such as aus music, ostgut ton, liebe*detail and cityfox and last year, he did his first ever mix cd for the world famous watergate club. next up from the talented producer is a futuristic 4-tracker on aus, incl 2 remixes from george fitzgerald and midland. for the lead track moment, jones offers up a bass driven house number that hints at his jazz roots whilst pushing forward into garage territory. for the remix, george fitzgerald delivers his most straight up, heads down house production to date. next up is duvel, a characteristically quirky jones production, bouncy and deep all at once but with a bass line that will hold its own at peak time. midland steps up for the remix, twisting it into a moody multi-genre convergence like only he can.

first on decks.de !! the norwegian composer and producer robert solheim have been releasing quality underground music spanning from ambient to chilled electronics and techy house and techno for more than a decade. and now, after spending months fine-tuning the album > hollywood under the knife< in the dark electronica project the opiates with billie ray martin, he has finally found time to submerge himself into his other world of fine art electronics and is back with a new ep in the category, >music for your home and club entertainment <. the >syv / o portiño ep< contains two 2 trippy and techy house tracks labeled with his unique quality. both tracks taken from his forthcoming album heretics<, and the ep comes with superb remixes from john tejada (kompakt , pokerflat, palette) and dj puk (aquavit records, smiley fingers). be prepared to go deep both at home and on the dance floor.

this release comes packed with 4 massive remixes from some of the best artists faround the world in the ghetto funk & breaks genre. expect some hot dancefloor weapons from basement freaks, the captain, ninelives the cat vs rob da rhythm, and the funk hunters, the new shining stars coming out of canada and ones to watch for on the growing ghetto funk scene!

spezial price!!! the creative hub of taron-trekka, as well as dj team and beat crafter furnishes an individual experience of togetherness, a complete understanding on a deeper level. they have this primal groove, around which everything rotates, internalized. they carry this groove with their own signature out into the world. this raw groove diamond is constantly sharpened without being completely polished on all facets. on the new fat release they stand for an electric-infected development, that allows only the solution to seep in: deep-in-the-peak! thereby the kraken clutches fiercely to the coral reefs of the soul. their vision of a living sound can thereby sometimes morph precipitously into a technoid, housy, fine-spirited sort and then at once jazzy. the required resolve as it pertains to the dance floor is hardly missed from taron-trekka. the desire-principle and body language mimic are most definitely functional. the big bang doesnt explode in the space, but rather in the heart. as a special treat, the fellas adorn the cover of their 12-inch from the illustrator, designer and photographer tine drefahl (http://www. tinedrefahl.com). thus is presented from freude am tanzen a worthy conclusion to a sometimes turbulent jubilee year, a complete package of artistic expression in tone and picture that is at home both on the mantel as well as the turntables.

phuture shock musik present their 5th release, this time procuring the reliable talent of one of the most slept on producers in the world of bass music - that is simon/off. those in the know will be aware that the austrian native has been simmering in the underground for quite some time now, having laid the groundwork through early releases on haunted audio, a noteworthy ep for immerse records, and further contributions to several other smaller labels. this latest plate by the name of >planetary communication< ep finds simon/off leaning more towards his techno and broken beat side, which has of late began to flourish in his recent productions, and consists of three well crafted afro-tech riddims oozing weighty low-end frequencies, funky drum work and finely detailed percussion. widespread support on sub fm, and increasing support from several other major players in the underground bass scene.

the debut release from your mamas friend has already been making waves and with the dance press lavishing praise, backed by an impressive weight of dj support, marcin czubala s fresh new imprint has already made the brightest of starts. having taken the lead on 001, marcin now passes the baton to a duo that are currently taking the world of house music by storm, polish duo viadrina. konrad slazyk and mateusz kazula are the fresh-faced pair hailing from the banks of the river odra. having made a crushing impact with their debut release, the >better ep< earlier this year on pets recordings, viadrina have been working away tirelessly in the studio refining and polishing their sounds and skills. an endearing innocence can be heard in their music and their versatile, warm and uplifting style is immediately attractive to the ear. matching that aural lure with an impressive and mature use of bass has seen them create some of the smoothest and dare we say it, sexiest tracks of the year to date. making them a perfect addition to the your mamas friend roster. with a splash of r&b, a good slice of garage, 4/4 kick and a sprinkling of lullaby, title track >shining< is the most perfect of winter warmers. the cosy vibes continue on >luna<, with its beautiful vocal wrapped in the protective warmth of its bulbous bassline.

nice price deal !!! resurfacing a few years major his explorations >at the end of the world<, dan quin throws from left field and scores a hit with his unorthodox take on vocal house music. >everybody knows< is a party-rocker with heart and integrity, remaining loyal to the tenants of dark, exploratory house and techno while superseding the problematic attachment to the past that has retarded the development of song-based dance music. the result is a sprawling, ominous and moving piece of internally conflicted electronica, caught in the ford between a reverence for the work of electronic-pop visionaries like fever ray, and the loyalties of the vast, red-lit expanses of nyc rooted club music. featuring the fresh new talents of brooklyn native tammy k., >everybody knows< is the latest release on dope jams very own in-house record label, a new manifestation of soulful house for a new generation of dance music devotees thirsty for the universal sensibilities of the vocal without the tired cliches of yesteryear.

>and i heard a strange deep sound. as i got closer to that particular place, the music took a more stable form…i thought i already knew this sound from somewhere<… welcome to the musical world of exciting new amsterdam based producer simon weiss. coming over all early theo and moodymann-esqe, he clearly demonstrates a passion for all things detroit in terms of mood, melody, rhythm and texture. half bouncing feet, sweaty walls and concrete floors, half sophisticated, futuristic movie soundtrack score …simon weiss fits the description of a home taper absolutely perfectly. dance to it, close your eyes to it, but whatever you do listen to it. 100% house music with bits. play it all night long!!

>halfway between the gutter and the stars< is fatboy slims third album, and it is also this prolific dance producers third release on music on vinyl. here, norman cook continues the work he started on >better living through chemistry< (movlp111) and >you ve come a long way, baby< (movlp099), bringing in collaborators macy gray, bootsy collins and roger sanchez, yet he steps away from the capricious commercial world of the pop charts in favor of the steady beat of the dance floor.
re-issue on audiophlie 180 grams heavyweight vinyl.

3 years ago patrick & frederic started their marvelous career as kaiserdisco and made it to one of the most interesting acts in the global underground scene. they are not only a techno or minimal act, kaiserdisco is fascinating people all over the world cause they are producing music from lazy deep house to groovy techno, always with the right sense for the dancefloor. in the last years they remixed artists like booka shade, kosheen, extrawelt, sebastien leger, 2000 & one...., and had releases on legendary labels like drumcode, 100% pure, strictly rhythm, my best friend, global underground etc... and now it is time to start their own imprint. the first kd music release la famillia ep comes from kaiserdisco themselves. the a-side la benjamina is a typical kaiserdisco anthem. strong beats, groovy bass and a hypnotizing melody. you can feel it in every second of this track how much fun it was to produce this piece of music. especially the big break will make you go mad!! hija major on the b-side is a heavyweight techno layout. a massive rolling bassline catches you from the first second! the hole track reminds you of a fast rolling train packed full of wood. it rattles from first to last and when it falls into the breaks you can imagine it pushes the train even more and more and more...

with our ten year anniversary firmly behind us, dumb unit continues unabated into the future! the family has grown larger but our vision remains the same, to bring the world stimulating music for the dance-floor and beyond. this season, we present dumb unit dynasty, a special year- long focus on our tight-knit du family. in addition to our regular output, a number of special releases are planned. the first, dynasty ep 1 showcases 3 superb tracks by the dumb unit crew

weighty 2 track 12inch from this ruthless producer! all city hook it up, yet again! ruckazoid is one of the most innovative and forward-looking artists in the global hip hop and beats world of the last decade. happy to exist outside of the mainstream - or indeed any scene – his career has been a forward march of jaw droppingly incredible releases. this here is a two track ep of incredible analogue sounds and melodies.

the outside agency and sei2ure had never collaborated until this release, and in retrospect they were most likely doing the world a favor. the simple reason for this is that the two monsters theyre letting loose upon the world on this release can only be described as extremely dangerous. the outside agencys signature hard-hitting kicks and drum & bass percussion combine with sei2ures hard-hitting everything to provide weaponry for the next two millennia. this is definitely one of the most hardcore releases on one seven five thusfar. guaranteed to work on any dancefloor it finds in its path as per usual. no negotiating. no hostages.

now with lovingly remastered audio, extensive liner notes, and unpublished photos, this double l.p. set gives you both of the aforementioned rarities and the best of overton berry - that is, if you havent had the good fortune of seeing the man play live. still performing his trademark blend of standards, thoughtful interpretations, and original compositions weekly in-and-around seattle, if you find yourself music hungry in the pacific northwest, you just might have a chance. berry is still doing his thing with the utmost respect and dedication to his craft.lp limited to 1000 copies.

mount wittenberg orca is a collaboration between dirty projectors and bjork recorded in the spring of 2010. for the first time it will be made available on deluxe lp.
the deluxe lp features:
- 180 gram heavyweight vinyl
- code for mp3 download
- 3d/lenticular cover
- 11 x 11 inch full color 12 page booklet
- each record is hand numbered and a limited run of 3000 will be pressed worldwide.

crosstown rebels retain their untouchable high standard as they divulge into the blissfully advanced musical world of dinky. the > sealed ep< is a two-track treasure through driving deep house and effortlessly smooth techno, embodying that special touch only dinky can deliver.

glasgows mnx recordings resurface after a lengthy self imposed absence with a new limited ep featuring tracks from adam x, faustian pact, manasyt, cestrian (ali renault), microdot and cymbol. this is what the label had to say about the twelve.
transparent orange vinyl and limited to 200 copies.

limited !

ultra rare stuff ltd to 150 copies world wide, here the blue cover edition.

ultra rare stuff ltd to 150 copies world wide, here the mint cover edition.

ultra rare stuff ltd to 150 copies world wide, here the rosa cover edition.

ultra rare stuff ltd to 150 copies world wide, here the yellow cover edition.

ultra rare stuff ltd to 150 copies world wide, here the black cover edition.

ltd. marbled green vinyl in clear sleeve to 1000 copies for the world. 4 exclusive new re edits not featured on the cd. burufunk vs carbon community community funk, francesco diaz & young rebels its our future, nubreed nufunk, noir super skunk

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

ben payne & joe wills aka the insiders are hardly newjacks in the world of drum&bass music. their collaborative productions have been on legendary imprints across the board and throughout the years. they have consistently represented their brand of forward thinking drum&bass and now we are proud to feature them in the prestige music catalog. the insidersresume boast a succesful monthly in bristol uk and a fresh label imprint under the name intrigue music. after this prestige debut release, one can expect much more from the insiders in the very near future. releasing in november, 2011 for digital download and limited editing vinyl release with all fine music retailers nationwide.

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.

! its awesome, its fresh, its bold, its jazz. dont blame us for not releasing this into the digital world but on vinyl only. this is a music-lover release! it comes strictly limited to 300 numbered pieces and is calculated as a break-even affair. so just be glad if you were lucky to catch one, play and make the crowd smile! yours sincerely its-jazz-project.

joe goddard is surely one of the busiest men in the world of electronic music: writer and producer behind the world-conquering hot chip, acclaimed solo artist, travelsome dj, prolific remixer, one half of the emerging 2 bears house duo and one of the founding members of the greco-roman record label and party collective. goddards first solo material in 18 months should open with a chorus of angels, before title track >gabriel< strides confidently into familiar territory of londons clubland and its rich musical influences, this time goddard choosing gospel and house as his parameters to create a bone fide underground radio and club hit which currently sits on the bbc radio 1 playlist.

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

reissue of the 2011 coldplay album “mylo xyloto”, housed in regular printed sleeve.

finally back in... steffi is a resident of the world famous panorama bar, recodring artist of ostgut ton, owner of the dolly label and frequent collaborator with dexter in the co-running of his klakson imprint she now releases her first underground quality release entitled the reason ep. dj jus-ed has been playing this for 6 months now with great responce from the ladies! this is must have for mood setting and set changing…outstanding!

trendkill records is proud to bring you its second release from prolix (playaz, ganjatek, metalheadz, virus, viper, uprising, renegade hardware). the a side is a hip-hop vocal infused stomper with huge beats and distorted basslines with hooks that keep you wanting more and more. the aa is a energetic filter workout which twists and turns leaving listeners dizzy with excitement! both tunes have had great responses on dance floors across the world, and the versatility of these beats will ensure you keep them in your bag for years.

soniculture, the lisbon-based label, proudly presents billy dalessandros 5th album entitled cracktime. this project forges a new generation of production style and sound design for billy as he cocks the shotgun of his latest experiment in electronic debauchery. cracktime sonically defines those innocent and naughty moments that each of us exhibit, in our own way, that helps to fulfill our lives with all those insane memories we carry with us back to the grave. thirteen tracks round out this ring match in a dub-infused, 303- injected, chicago-style bassd-out fight that lasts just about an hour. so sit back (or jack back) to the show, and remember...that if religion is the opium of the masses, music definitely gives us our daily crack.

anders trentemoller has become one of the most respected names in cutting edge electronic music in the last few years. his rise to notoriety was sparked by his early, techy releases for poker flat and audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. his debut album >the last resort< was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer in the house and techno world. as the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning >into the great wide yonder< lp. now this special double cd and double vinyl release celebrates some of the producer s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music.

stephin merritt (born february 9, 1966 is an american singer-songwriter based in los angeles (formerly in new york city), best known as the principal singer and songwriter in the band the magnetic fields. he is known for his distinctive and untrained bass voice.

180gr heavyvinyl ! back to black , classic hip hop

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.

another well produced reeko ep on planet rhythm. this is dark angry techno music that should be played only at loud volume. the title track >bad connection< is a raw nervous track on a somewhat slower pace that will definitely get people dancing. especially for all those raves that last until 7 in the morning this is one for the peak hours. >look at me< is a jumpy non 4/4 techno rhythm with cool effects and chords, the rising synth at the end of each loop is a nice look. >in a different world< and >restart< are both tracks that fit perfectly in this new prruk record. good producers know how to build an ep in a way that it feels like chronological soundtrack. reeko knows exactly how to do this.

persnickety sounds is here to funk-ti-fy your world!
in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.
let the labels fall and just get it movin!

mr. mageeka makes a welcome return in the wake of >different lekstrix<, the mutated funky banger that caused straight up mayhem on many dancefloors the world over, upon its release via numbers last year. the much-anticipated follow up, penned for release on phuture shock musik, comes in the shape of >vintage malarkey<, which sees the east-londoner offer further next level shenanigans. employing a similar formula as its predecessor, this one is stripped down and quintessentially hypnotic - instantly luring you in with a looped god made me funky - esque groove, over a brisk swinging rythm, whilst occasionally throwing you off-guard through the introduction of angular synths and offbeat claps, as well as an inspired collage of samples that maintains the quirky nature of the production throughout. the single comes backed with >de congo<, a funky conga-laden number, that is enhanced by an addictive fusion of west african guitar licks, kalimba stabs and frisky percussion, though the real icing on the cake being its meandering trumpet hook, altogether coming off like a live high-life jam. early support from the likes of rinse fms scratcha and marcus nasty.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.

laurent werys clubhit >hey hey hey< has been around for over a year in clubs all over the world. the track gets a refix with the appealing vocals of dev (known from the hit >like a g6< by far east movement).

nice price deal !!! incl the mega track >in a blink of an eye< - pure euphoria! decks tipp.. it would be to easy to categorize satori as a techno producer. of course there were the clubhits with his partner in crime el mundo, there were long hot nights, exuberant dancefloors, pounding beats and pure ecstasy. but the person behind satori has another side, a side that also wants to pour his personal impressions into sound. meet in to void, a remarkable debut in every sense. forget about those dancefloors for a moment, the place where satori left his mark so clearly these last years. place yourself in the person djordje petrovic, born form a serbian father and south african mother, raised with balkan music, afrobeat, jazz and world music in all shapes and sizes. someone who educated himself in playing guitar and piano and also wants to showcase this other side of his music. produced in the moments in between his sessions with el mundo a series of tracks came about that characterize satori most accurately. deep, sensitive and worldly, but mostly compelling and utterly beautiful. in to void is a musical moodboard, an emotional blog if you like, where thoughts and impressions by djordje petrovic force themselves to you in a hypnotic trip, subtle but irresistible.

fright returns after a long absence in which we sought refuge in hades during the hail storm of gothic hysteria that passed over earths minions. some may remember us from the breakthrough debut release from gatekeeper or the unholy italo-techno alliance we shared with antoni maiovvi. now finally, we return, this halloween, with our most ominous mission yet. naum gabo aka glasgows jonnie wilkes (1/2 of optimo) and james savage started their illustrious career with a trio of releases as naum for kompakts speicher series then have most recently gone on to release music on dissident, thisisnotanexit, endless flight, world unknown and most recently optimo music. created and recorded between 2010 and 2011 in their hottrax studio, naum gabo have come up with > the crystal line<, > galena< and > dmitris darkness<. specifically delivered in mind for fright, they keep true to the labels mission of releasing music for unseen films with 3 mid-tempo and certainly melancholic gems that also maintain an unmistakable ng groove for the stranger dancefloors we know and love. an absolute highlight, > the crystal line< is dedicated to the late, great kurt hauenstein aka supermax. superbly cut loud at 45rpm, this epic tribute is what vinyl addicts dream of hearing.

daphni is the alias of dan snaith, aka caribou, a man who needs no introduction, having conquered the hearts of music lovers around the world with his latest album >swim<. we at amazing sounds are very proud and excited to present a dancefloor centric release from dan following his seismic reworkings of radiohead and virgo four, - >ahora< is a slinky, trippy, eastern tinged piece, with a stunning, tweaked out synth riff that blows apart the uneasy equilibrium. on the remix tip are margot, border community s super gifted italian duo, who deliver an even more wonky take on the original, with pinwheeling oscillations, burbling flutes and subdued piano notes.